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- CINEMA, Page 87Shear Heaven
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- EDWARD SCISSORHANDS
- Directed by Tim Burton
- Screenplay by Caroline Thompson
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- Once upon a time, an aged inventor (Vincent Price) lived in
- a mansion at the edge of Any Town, U.S.A. His crowning creation
- was a young humanoid named Edward (Johnny Depp). Alas, the old
- genius died before he could give Edward human hands. So for
- many years this benign creature lived alone. Until one day an
- Avon lady (Dianne Wiest) came calling, and then . . .
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- Aaaooh, who cares?
-
- The fable is in disrepute these days. Any fantasy that
- trumpets its artifice with storybook colors and extravagant
- decor -- all to illustrate the parable of a malformed
- artist-messiah rejected by his flock -- is asking for trouble.
- Perhaps only Tim Burton, fresh from his Batman bonanza, could
- have the clout to make such a defiantly vulnerable curio as
- Edward Scissorhands. And perhaps only this former animator
- could make it work so beautifully. A witty comedy of manners
- that arcs into poignance, this is a Christmas movie only a
- Grinch could hate.
-
- Edward is the innocent other, a literary type that stretches
- from Kaspar Hauser to Being There's Chauncey Gardiner to E.T.
- -- and to the heroes of Burton's Beetlejuice and Pee-wee's Big
- Adventure. When the Avon lady brings him into her spectacularly
- bland neighborhood, she unawares sets his creativity on a
- collision course with her friends' anxious conformity. At first
- the housewives accept Edward's handicap as a gift. His metal
- shears can dice vegetables in a trice, turn a drab hairdo into
- a chic coiffure and sculpt front-yard bushes into exotic
- topiary: ballerinas, pterodactyls, even a group portrait of the
- all-suburban family. And how pleased Edward is to be a guest of
- this brood -- especially since it includes teenage Kim (Winona
- Ryder), to whom Edward will give his love as soon as he stops
- giving her the creeps.
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- Depp, who wears the hyperalert, slightly wounded expression
- of someone who has just been slapped out of a deep sleep,
- brings a wondrous dignity and discipline to Edward. Wiest does
- a delightful turn on the plucky, loving mothers from old
- sitcoms. The whole movie, in fact, time-travels between today
- and the '50s, when every suburban house could be a quiet riot
- of coordinated pastels. But the film exists out of time -- out
- of the present cramped time, certainly -- in the any-year of
- a child's imagination. That child could be the little girl to
- whom the grandmotherly Ryder tells Edward's story nearly a
- lifetime after it took place. Or it could be Burton, a wise
- child and a wily inventor, who has created one of the brightest,
- bittersweetest fables of this or any-year.
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- By Richard Corliss.
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